More coursework: 1 - A | B | C | D | E | F | G | H | I - J | K - L | M | N - O | P - S | T | U - Y

Ancient egypt old middle and new kingdom

ANCIENT EGYPT: OLD, MIDDLE, AND NEW KINGDOM

Outline

I. Thesis: Ancient Egyptians were the basis for many western traditions. Their

influences are noticable in art, architecture, and religion.

II. The Old Kingdom

A. Zoser, the first pharaoh.

1. built the famed Step Pyramid

2. brought unity to Egypt

B. Religion

1. creation

2. gods

C. Art

D. Downfall of the Old Kingdom

III. The Middle Kingdom

A. Pyramids

B. Middle Kingdom religion

1. Myth of Osiris

2. Similarties between the myth of Osiris and Christian beliefs

C. Middle Kingdom art

D. Downfall of the Middle Kingdom

IV. The New Kingdom

A. Valley of the Kings

B. Shift in religion

1. Aton

2. Akhenaton

C. New art form, naturalistic

D. Downfall of the New Kingdom

V. Conclusion

==========================================================================================

The ancient Egyptians are considered among many to be the civilization upon

which much of the western world's views and attitudes are based. Everything from

religion, to architecture, to art has been handed down, generation by generation, to us in

the present day. Although many of the ancient Egyptians' traditions have been modified or

altered, the majority of their core principles remains constant. Yet, despite the ancient

Egyptians' conservative nature, there were some changes within the infrastructure of their

society. Throughout the ages known as the Old Kingdom, Middle Kingdom, and New

Kingdom, there has been alterations to their religion, art, and architecture. Internal forces,

as well as outside influences, have molded ancient Egyptian civilization. This paper will

attempt to determine these forces which changed the Egyptians. Modifications of

Egyptian life were subtle, but noticeable and significant nonetheless. Art, architecture, and

religion will be the focus of this paper. Let us begin at the beginning, with the Old

Kingdom.

The Old Kingdom began in the year 2700 B.C. and ended 2200 B.C. The

pharaohs, or kings, of this time include the third through the sixth dynasty, beginning with

Djoser and ending with Pepi II. Djoser, who ruled from 2700 B.C. to 2650 B.C., changed

his name to the more commonly known Zoser. It was Zoser who made the famed Step

Pyramid, the first pyramid to be constructed.

Pyramids were erected for the pharaoh in the belief that it would serve as a

stairway to the heavens, and allow the divine pharaoh to reach the Milky Way, or the Nile

river in the sky. The pharaoh's afterlife was extremely dependent on a proper burial, as

were the afterlives of those who served him; therefore, it was imperative that the pyramids

be erected. These pyramids could not have been built through coercion or slavery, for

such an architectural feat could only have been accomplished by a labor force of 70,000,

and there is no possible way for a small group of rulers to force the people to labor day in

and day out without some kind of reward in the afterlife.

Previously, no such architectural feat had ever been dreamed of, let alone actually

thought out and complete. The properties of stone, massiveness, strength, and durability,

had not even be contemplated by masons and architects, yet under the guidance of

Imhotep, the royal architect of the pharaoh Zoser, this magnificent structure was erected

(David 14). It is of little wonder why the Greeks, when they listed the seven wonders of

the world, placed the great Step Pyramid at the top.

By the fourth dynasty, the pharaohs were buried in true pyramids, that is, all sides

were flat planes meeting at some certain point, and the angle of each corner was 52

degrees. The three built at Gizeh, for Cheops, Chephren, and Mycenrinus, were the peak

of achievement of this field. The pyramids were of better architecture, more advanced

design, and longer durability; however, by the fifth dynasty, the pyramids were

significantly smaller and the construction was of a lower quality, the result of which can be

seen today; the pyramids of the fifth dynasty are little more than mounds of rubble (David

14). The reason for the decline in the pyramids has to do with the shifting of power due

to new religious attitudes.

The religion of the ancient Egyptians was rather complex. Creation was believed

to have been made out of darkness and chaos. With the physical creation of earth,

mankind, and gods came the abstract concepts of law, religion, ethics, and kingship.

Those were to last for eternity, which solidifies the notion that ancient Egyptians were

very conservative. They believed there was no change; the universe worked according to

a certain pattern governed by principles laid down at the beginning of time. Ancient

Egyptians took the seasons to mean life was a cylindrical process, and that there was life

after death (David 81).

There were two distinct groups of gods: local and state, and household. The

household gods were the gods of the people; they protected the poor, who worshipped

them in their own humble surroundings (David 78). These deities possessed no temples of

their own and had no religious doctrines, but it was to these gods the people offered their

prayers to. The local gods were usually animal, such as Bastet, the cat goddess, or

Sobeck, the crocodile god. When the chief of a particular village came into state power, it

was his local god that became a nationally-renowned state god. The first god to do this

was Re, the sun-god. He had a steady rise in power beginning in the second dynasty, and

by the fifth dynasty Re was considered the chief god of state.

It was believed that the pharaoh was a god himself, and that his power was to be

revered and worshipped. Such was the case with Zoser, and the pharaohs of the

preceding dynasties. But the priesthood that worshipped Re began a slow steady

usurpation of power from the pharaohs in the fifth dynasty. The divinity of the pharaoh

was reduced in magnitude; he was no longer a god himself, but merely the son of the god

Re (David 16). The decline in the quality as well as the size of pyramids were the result of

this shift in power.

The art of the time flourished nowhere else like it did in Egypt. Art in the Old

Kingdom was not simply for beauty, but for utility as well. Everything was to have a

purpose. For that reason, statues were not erected in marketplaces, but rather in a temple

where they might serve some practical purpose in the afterlife (Breasted 102).

Eventually, the pharaohs themselves became a major contributor in their own

downfall. There were marriages of non-royal women, as was the case with Pepi I. This

led to the belief that the divinity of the royal line was diluted, thereby reducing the

pharaoh's power. In addition, the royal treasury was rapidly being depleted due to

maintenance costs of pyramids, the construction of new pyramids, and numerous gifts to

the priesthood and nobles. It wasn't long before the priesthood and the nobles were as

wealthy as the pharaoh himself (David 16).

After Pepi II, central government was completely lost, and anarchy reigned. It

wasn't until the Middle Kingdom that Egypt began to recapture the glory it once held.

This era endured from 2050 B.C. until 1800 B.C., and included the twelfth dynasty

(Wilson vvi).

Pyramids were once again being used to bury the pharaohs, after a lapse, where

kings were buried in rock-hewn tombs during the first intermediate period, but were never

anywhere near the size and splendor of those built in the Old Kingdom. There were new

pyramids at Lisht, Dahshur, El-Lahun, and Hawara. There were also a great number of

temples erected, most of which were later dismantled and incorporated in the structure of

other temples (David 20).

The once-absolute sun god, Re, was replaced by the god Osiris. The appeal of

Osiris was that he promised a more democratic afterlife; the common man could look

forward to his own life after death. Osiris began as an obscure local god and rose to great

power due to the wide public appeal.

The myth of Osiris has its root in mortality. Supposedly, King Osiris was a human

king who established order and brought the elements of civilization to his people. His

jealous and evil brother Seth had murdered him to gain Osiris' throne, a plot not unlike

that of Shakespeare's Hamlet. Isis, Osiris' wife, fled to the delta of the Nile and gave birth

to Osiris' son, Horus, posthumously. There she trained Horus to extract their revenge

upon Seth. When the confrontation between Seth and Horus occurred, both were severely

injured, but it was Horus who finally defeated Seth. Through powerful charms placed by

Isis, Osiris was restored to life, albeit as a king of the dead and judge of the underworld.

The charm that Osiris had over other deities was the fact that he was once human,

and had triumphed over death. This bears striking resemblance to Christian's beliefs that

Jesus had died and was resurrected. Isis had become the symbol for a loving and devoted

wife, Horus was the embodiment of a courageous and righteous son, whereas Seth

became the symbol of absolute evilness. This, too, bears an uncanny resemblance to many

Christian beliefs; Isis could be compared to the Virgin Mary, and Satan to Seth. Although

great changes were made in religion, even greater advances in Egyptian art were evident.

The Middle Kingdom bore witness to the finest pieces of jewelry ever crafted in

Egypt. Craftsmen used semi-precious stones inlaid in gold and laden with numerous

designs to grace the crowns, armlets, and collars worn by the royal princesses (David 20).

Once again, the pharaoh was supreme, and this is reflected in the sculptures of them, as

there is a grim determination and disillusionment about the features, perhaps to guard

against such mistakes that were made in the Old Kingdom.

In addition, the Middle Kingdom was renowned for it's literary masterpieces. The

Shipwrecked Sailor was the first literary piece to have a story within a story. In addition,

the hieroglyphic language of the period is today regarded as the classical form, and

"Middle Egyptian" is the first stage of the language which would-be Egyptologists learn.

The Middle Kingdom came to an end when the Hyksos invaded Egypt and took

over. It wasn't until 1465 B.C. that Egypt regained control of their country. The ensuing

era, known as the New Kingdom, lasted from 1465 B.C. until 1165 B.C.

The New Kingdom included the eighteenth through twentieth dynasty. It was the

eighteenth dynasty that produced a series of active, able pharaohs who conquered many

lands and brought prosperity back to Egypt. Pyramids were no longer used as burial

grounds; instead, the famed Valley of Kings is the final resting place for the pharaohs of

this age. The tombs were hewn out of the native rock; sadly, with the exception of

Tutankhamun, many of them fell victim to grave-robbers.

The religion of this period would take a drastic turn. The god Re came back into

power when he was unified with another god called Amun. This new god was known as

Amun-Re, and was once again the focus of the priesthood. This priesthood was gaining

great strength, as they did at the end of the Old Kingdom, by selling magic charms and

elixirs to the common people with promises that it will aid in their passage to a favorable

afterlife. The pharaoh Amenhotep IV made a revolutionary change in the whole religious

system by disbanding the priesthood, defiling all of the old temples, and placing in power a

new god, Aton. Amenhotep would change his name, which meant "Amun rests," to

Akhenaton, which meant "Aton is satisfied."

The significance of such a movement was that it was the earliest form of

monotheism. All previous ages practiced one form or another of polytheism, with room

for an unlimited number of gods and goddesses. With this new religion, the only supreme

powers were Aton and Akhenaton himself. Aton was not embodied in an animal or human

form, but rather in terms of the life-giving, warming rays of the sun. Aton was not simply

the god of Egypt, but a god of the entire universe. This god was to be thought of a

benevolent father, overseeing all of his followers from high above in the heavens. He was

the source of all truth and justice, and he would reward those who followed his laws.

This new form of religion did not last, for Akhenaton disappeared fifteen years

after the beginning of his reign, and the old beliefs came back.

Akhenaton did more than simply form a new religion, he started the art form of

naturalism. This was partly because he wished to break all ties with the former religion,

and partly because it was the teaching of Aton which stated that all things must be admired

as they appear, in Aton's desired state. The artwork of this period of time is also the most

sought-after, for therein lies the clearest picture of an ancient Egyptian possible (David

18).

Eventually, internal struggles led to the weakening of Egypt, until they were finally

conquered by the Greeks. But the legacy of ancient Egypt lives on in a great number of

our beliefs today. We base much of our culture upon the lives of ancient Egyptians, from

art, to architecture, to the basis of western religion, that being Christianity. Ancient

Egypt's glorious reign lasted two and a half millennia, and that fact alone makes Egypt a

remarkable and notable society, for we are all sobbing babes compared to the longevity

and stability of ancient Egypt.

===========================================================================================

Bibliography

Breasted, James Henry, History of Egypt. New York: Charles Scribner's Son's, 1905.

David, A. Rosalie, The Egyptian Kingdoms. New York: Peter Bedrick Books, 1975.

Wilson, John A., The Burden of Egypt. Chicago & London: The University of Chicago

Press, 1951.



About this resource

This coursework was submitted to us by a student in order to help you with your studies.


Search our content:


  • Download this page
  • Print this page
  • Search again

  • Word count:

    This page has approximately words.


    Share:


    Cite:

    If you use part of this page in your own work, you need to provide a citation, as follows:

    Essay UK, Ancient Egypt Old Middle And New Kingdom. Available from: <https://www.essay.uk.com/coursework/ancient-egypt-old-middle-and-new-kingdom.php> [28-05-20].


    More information:

    If you are the original author of this content and no longer wish to have it published on our website then please click on the link below to request removal: