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Essay on mystery

Essay on Mystery

The classic mystery story contains many key parts, and some of these are present

in my novel, while some are not. I think the major and most important

similarity between mine and that of a classic is the fact that they both deal

with murder. Homicide. Assassinations. The ole' bump-off. Killing.

Manslaughter. Anyway you look at it, both my novel and most novels from the

Hounds of Baskerville to Murder on the Orient Express. My novel deals with this

murder in a more dramatic sense, as a publicly loved figure and a heavily

celebrated actress who has won many Oscars for her wonderful performances. I

would say that my novel is untraditional in the fact that it is not a pure bred

detective story, or a police procedural, nor romantic suspense nor or a gothic

novel. I would say it is a mixture of detective story as the person who is

seeking who killed her sister is in no way a detective, but she is the main

protagonist, as a detective is. The other half of the story is a romantic

suspense, as a romantic atmosphere starts to occur between Liz and Ted as she

starts to realize that Ted is not the killer, and they end up as a couple right

at the end of the story. To get into more detail about the mixture of these two

classic and celebrated styles, I will use the sheet I was thankfully given by Ms.

Milliorn to nit-pick at the details of these two styles. If I would have to pick

one of the styles that my book more closely resembles it would be the detective

story. The main character and protagonist is Liz, the sister of the recently

slain movie star Lisa. She does in fact interrogate suspects and ferret out

clues, but the difference is that she does not even recognize that she is

getting some juicy clues, while the detectives do not let on that they have

identified a clue, but in truth they have and already trying to use it to solve

the case. Another key difference is the fact that the detective finds his

criminal by a process of elimination, while Liz does none of this. The only

reason they actually found the killer was the fact that he tried to kill Liz,

but Ted was there to hear her screams. He came to her rescue and apprehended the

killer all at the same time. What a guy! She had no clue about who had the

motive, opportunity or means to kill her sis. I would explain her as a happy-go-

lucky half-detective who was more lucky than happy. But, after reading through

the whole paper, I have found that Clark does exhibit some glaring qualities of

a classic writer. Techniques such as using several suspects, additional murders,

red herrings, threats of violence were all used habitually, until it got to the

point where I was sick and tired of all these different suspects and a new

murder at every corner. As for the basis of the romantic suspense, I have only

based this on the fact the Liz always had a love for Ted, and it could not be

shown until her sister was out of the way and the killer had been found. As

there is no literature that I have found which explains the term "Romantic

Suspense" in layman's terms, I do not think that I should try and elaborate as

if I am dead wrong on what a romantic suspense is, I will just be making a fool

out of myself. Finally, I believe that all new authors are trying to get away

from classic writers, and that is why authors like Clark have only shown bits

and pieces of the lost art known as a classic mystery, so I believe that is why

I had a little more trouble researching this topic before writing it than any


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